{"id":5716,"date":"2026-06-22T10:06:46","date_gmt":"2026-06-22T10:06:46","guid":{"rendered":"https:\/\/cinemambulante.com\/?page_id=5716"},"modified":"2026-06-22T12:14:41","modified_gmt":"2026-06-22T12:14:41","slug":"2026editionjune","status":"publish","type":"page","link":"https:\/\/cinemambulante.com\/en\/2026editionjune\/","title":{"rendered":"Kino Guarimba 2026"},"content":{"rendered":"
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From June 10 to 21, 2026, La Guarimba<\/strong> hosted the thirteenth edition of Kino Guarimba<\/strong>, a film training programme dedicated to filmmakers from around the world. The filmmakers arrived in Amantea, Calabria<\/strong>, to embark on this journey of artistic collaboration and cultural exchange. This year’s Kino was made possible thanks to the collaboration with CinemAmbulante<\/strong>, the Caribe At\u00f3mico Film Festival<\/strong> (Venezuela), Proim\u00e1genes Colombia<\/strong>, and MyAirBridge<\/strong>.<\/p>\n

On June 10, 48 filmmakers<\/strong> from 29 different countries<\/strong> arrived to take part in a 12-day<\/strong> film residency, during which they conceived, shot, and edited their short films.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_video link=”https:\/\/youtu.be\/3_pGISFjn08?si=0k_MHTOBouP5S9DA” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

THE PROGRAMME<\/strong><\/p>\n

Kino Guarimba offers professional training workshops, access to cultural events, and encourages collaboration between filmmakers and the local community of Amantea.<\/p>\n

The first days of the Kino are designed to foster connection among participants and to introduce them to the town of Amantea, its rich history, and its culture.<\/p>\n

On the first day, participants arrived throughout the day and received the new edition of the Kino tote bag: cinema to the people and the people to cinema<\/strong>. Inside was a pencil case with a Bic pen and a notebook from the Moleskine Foundation<\/strong> \u2014 which supported the residency by donating notebooks and pencil cases for every participant \u2014 to be used during their stay.<\/p>\n

After being settled into the apartments rented for the residents, they had the opportunity to explore the town and the beach. At 8:30 pm, the Meet & Greet welcome dinner<\/strong> began at Il Terrenito<\/strong>. Here, all participants had the chance to socialise and officially meet their fellow filmmakers. The dinner was prepared by Beatrice De Vita<\/strong>, a local cook, who based the entire menu on Calabrian flavours and traditional Amanteano dishes.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=”5756″ img_size=”full” alignment=”center” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

The second day began with breakfast at Lido Azzurro<\/strong>, followed by a speed dating<\/strong> exercise among participants. In two sessions, the young professionals had one minute each to introduce themselves to one another \u2014 an exercise to sharpen their pitching skills and an opportunity to exchange ideas. The day continued with lunch at Cantina Amarcord 1985<\/strong>, to savour traditional Calabrian cuisine and wines and to encourage conversation and connection among participants.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=”5752″ img_size=”full” alignment=”center” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

In the evening, director Giulio Vita<\/strong> led participants on a tour of Amantea<\/strong>, through the historic centre and up to the ancient ruins at the top of the hill. This gave participants the opportunity to do an initial scout for possible filming locations.<\/p>\n

After this brief excursion under the Calabrian sun, the tour concluded at Bar Sicoli<\/strong> for a taste of their famous pistachio gelato.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=”5754″ img_size=”full” alignment=”center” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

The third day began and ended with masterclasses<\/strong> led by industry professionals and the residency’s tutors. All five masterclasses were attended by the 47 filmmakers<\/strong>. The first two took place at Lido Azzurro<\/strong>, while the last three were held in the conference room of La Piccola Biblioteca di Amantea<\/strong>, inaugurated in August 2024.<\/p>\n

The day opened with “How to Organise a Kino Production”<\/strong>, led by residency tutor Oscar Pe\u00f1a Gonz\u00e1lez<\/strong>, a Spanish director of photography with experience on sets in Spain, Italy, and Latin America. Oscar explained how to best organise a small production team, offering practical advice on managing actors, locations, and the production schedule.<\/p>\n

Next came “Live Sound Recording”<\/strong> with Anna-Maria Jams<\/strong>, an Estonian foley artist and former Kino 2024 participant. She provided an overview of proper audio equipment use, ambient sound recording, and dialogue capture to create an effective film soundscape.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=”5732″ img_size=”full” alignment=”center” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

In the afternoon, director Giulio Vita<\/strong> led the masterclass on “Film Distribution”<\/strong>, explaining how and where to distribute an independent film from the ground up, with practical advice for young filmmakers.<\/p>\n

Filmmaker and editor Fortunato Valente<\/strong> held a masterclass on “The Basics of Editing”<\/strong>, designed to give curious filmmakers the fundamental notions of post-production.<\/p>\n

Anna-Maria Jams<\/strong> led the third masterclass on “Sound Post-Production”<\/strong>, focusing on how to edit dialogue, incorporate atmos (ambient noise), music, and Foley in the post-production phase.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”5734″ img_size=”full” alignment=”center” css=””][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”5736″ img_size=”full” alignment=”center” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

To involve the residents of Amantea and the surrounding area, an open casting<\/strong> was also held, during which local aspiring actors aged 7 to 74<\/strong> had the opportunity to present themselves and showcase their talents to the filmmakers. The open casting serves a dual purpose: on the one hand, it offers the community a chance to work on a film set and meet international filmmakers; on the other, it gives the filmmakers an additional opportunity to deepen their connection with the community of Amantea and its culture.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=”5726″ img_size=”full” alignment=”center” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

June 13<\/strong> was the last day of scheduled Kino activities before residents began shooting. Everyone gathered at La Piccola Biblioteca di Amantea<\/strong> for a coffee courtesy of Caff\u00e8 Guglielmo<\/strong> and freshly baked pastries from Bar Caruso<\/strong>, before pitching their film ideas.<\/p>\n

Each filmmaker presented a brief synopsis of their project, the genre, the role they would take on, the roles still needed, and the number of shooting days required. In total, 37 of the 47 filmmakers<\/strong> presented their ideas \u2014 some developed in collaboration with others \u2014 for a total of 37 pitches<\/strong>, spanning comedies, dramas, documentaries, fiction, and experimental shorts.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=”5738″ img_size=”full” alignment=”center” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

In the late afternoon, Amantea celebrated the Feast of Sant’Antonio da Padova<\/strong> with a mass and a procession through the entire town. Participants were invited to join the procession to immerse themselves in Italian religious traditions and seize the opportunity to capture evocative footage and record ambient sounds. The procession ended in the historic centre with an outdoor festival featuring fairground rides, food trucks, and a main stage with live music.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column css=”.vc_custom_1750542289441{margin-bottom: 35px !important;}”][vc_single_image image=”5740″ img_size=”full” alignment=”center” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

THE BEACH CLEAN-UP<\/strong><\/p>\n

During the Kino, at the suggestion of one of the participants, we organised a collective beach clean-up<\/strong> along the shore of Amantea. At seven in the morning<\/strong>, organisers and filmmakers gathered on the beach: La Guarimba distributed bags and gloves and coordinated with the Municipality of Amantea<\/strong> for waste collection and disposal. A simple and spontaneous gesture, born from within the Kino’s temporary community, that turned a sense of responsibility toward the host territory into concrete action.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”5764″ img_size=”full” alignment=”center” css=””][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”5762″ img_size=”full” alignment=”center” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

THE SHOOTING PROCESS<\/strong><\/p>\n

From June 13 to 20<\/strong>, the young professionals shot their projects. Following the philosophy of the Kino method<\/strong>, we did not intervene in this process, encouraging participants to form their own teams and allowing collaborations to emerge organically and spontaneously.<\/p>\n

Kino Guarimba provided basic shared equipment \u2014 audio gear, lights, reflectors, and tripods \u2014 for all 47 participants<\/strong>. Oscar<\/strong> and Anna-Maria<\/strong> offered additional support to the filmmakers, advising on the most suitable equipment for each shoot and how to make the best use of it for the scenes they had in mind.<\/p>\n

The filmmakers shot their films all across Amantea: in the historic centre, among the ruins of the tower, inside bars and restaurants, on the beach, and in private homes for interior scenes.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_gallery interval=”3″ images=”5748,5750,5760″ img_size=”full” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

THE FINAL SCREENING<\/strong><\/p>\n

After 12 days of sharing, shooting, and editing, Kino Guarimba concluded with the screening of all 40 films<\/strong> produced.<\/p>\n

The 2026 edition of the Kino Guarimba film residency saw the delivery of 40 short films<\/strong>, with a total running time of 3 hours and 19 minutes<\/strong>. The films were made by filmmakers from 25 countries<\/strong>, with a geographical reach spanning Europe, Latin America, Central Asia, the Middle East, and North America, confirming the residency’s international profile.<\/p>\n

21.95% of the works (9 out of 40)<\/strong> were directed by first-time directors, a figure that attests to the programme’s role in discovering and nurturing talent. 68% of the films (28 out of 40)<\/strong> feature local actors recruited from Amantea and Calabria, reflecting the project’s ability to weave together the international dimension of the residency with direct and structural community involvement.<\/p>\n

The films were screened at Il Terrenito<\/strong> in Amantea on June 21<\/strong>, where all participants, actors, and the local community were invited to attend.<\/p>\n

Approximately 150 people<\/strong> attended the final screening.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=”5742″ img_size=”full” alignment=”center” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

THE PARTICIPANTS<\/strong><\/p>\n

Forty-seven participants arrived from around the world, forming a diverse group of filmmakers. Coming from different geographies, ages, and professional backgrounds, each participant brought a unique perspective to the group, united by a shared desire to exchange knowledge, collaborate, and create together.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=”5730″ img_size=”full” alignment=”center” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

To expand the visibility of our film festival, we carried out promotional activities through several channels. We successfully had Kino Guarimba featured in newsletters directed at film students. At festival markets such as Clermont-Ferrand<\/strong> and Winterthur<\/strong>, we held meetings with representatives from film institutes around the world to discuss our project and mission. Together with our partner Community Arts Network<\/strong>, we ran an Instagram campaign that reached filmmakers in diverse locations. We also welcomed Sara Paolella<\/strong> and Geremia Trinchese<\/strong> from the magazine Scomodo<\/strong>, who documented the opening of the training programme.<\/p>\n

From 365 applications<\/strong>, 50 audiovisual artists<\/strong> from 29 nations<\/strong> were selected: Argentina, the Netherlands, Italy, Lebanon, Peru, Portugal, Ukraine, Greece, Slovenia, Romania, Ireland, USA, Spain, Kazakhstan, Venezuela, Colombia, Bulgaria, Germany, Tunisia, France, Hungary, Finland, Kuwait, Latvia, United Kingdom, Norway, South Korea, Mexico, and Nigeria. Unfortunately, due to political and social issues, 3 artists<\/strong> were unable to leave their countries: 2 Nigerian artists had their visas refused despite having all the correct documentation, and one Kuwaiti artist was unable to travel due to the ongoing conflict in their territory.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=”5722″ img_size=”full” alignment=”center” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

This year we hosted two Colombian filmmakers, made possible by our partnership with Proim\u00e1genes Colombia<\/strong>, and the scholarship winner from the Caribe At\u00f3mico Film Festival<\/strong> (Venezuela), Janeth Aguirre Elizondo<\/strong>.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=”5758″ img_size=”full” alignment=”center” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

The 13th edition of Kino Guarimba saw a strong female majority: 74% of participants were women<\/strong> (37 out of 50), compared to 26% men (13). A figure that reflects a growing trend in the new generation of international filmmakers.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=”5720″ img_size=”full” alignment=”center” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

The age profile of the participants is young: the most represented group is 23\u201327 years old<\/strong> (19 people), followed by 18\u201322 (12) and 28\u201332 (11). Only 8 filmmakers are over 33. The average age is 26<\/strong>, with a range spanning from 19 to 48 years old.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=”5718″ img_size=”full” alignment=”center” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

The United States<\/strong> was the most represented country with 7 participants<\/strong>, followed by Ireland<\/strong> (5), and Italy<\/strong> and Ukraine<\/strong> (4 each). Fourteen countries were represented by a single participant, testament to the residency’s broad geographical reach.<\/p>\n

During the selection process, we also considered the profiles and roles of the applicants. From young students at the start of their careers to professional filmmakers, each person was chosen for the knowledge they could bring to the group. This Kino offers new filmmakers the chance to take their first steps in the industry, and provides a pause for those already working within it.<\/p>\n

Filmmakers represent a significant portion of participants, but the residency’s training activities allowed everyone to experiment with different roles. From a survey sent to participants, approximately 59%<\/strong> reported having worked in a role they had never taken on before.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=”5724″ img_size=”full” alignment=”center” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

SCHOLARSHIPS<\/strong><\/p>\n

The scholarship programme was established with a clear political and cultural intention: to break down the economic and geographical barriers that often prevent emerging talent from accessing international training opportunities.<\/p>\n

Two major international collaborations were structured this edition, each providing full-coverage scholarships<\/strong>:<\/p>\n

Caribe At\u00f3mico Film Festival Scholarship (Venezuela):<\/strong> Awarded to Janeth Aguirre Elizondo<\/strong>, producer of the short film ALIVIOS<\/strong>, winner of the 2025 edition of the Venezuelan festival. Thanks to this support, Janeth was able to take part in the residency, bringing her professional expertise to the Kino Guarimba community.<\/p>\n

The Caribe At\u00f3mico Film Festival<\/strong> is an independent film festival based in Caracas<\/strong>, created to celebrate, promote, and champion Caribbean and Latin American cinema. Organised in collaboration with local and international cultural organisations, the festival is distinguished by its strong political and social approach: its stated aim is to “de-gentrify” and reclaim urban spaces in the Venezuelan capital through screenings, workshops, and debates, bringing auteur cinema directly to the most vulnerable communities.<\/p>\n

Street Project Foundation Scholarship (Nigeria):<\/strong> Awarded to filmmaker and artist Embeleakpo Joseph-Berepamo<\/strong>. Although the scholarship was duly granted, the winner was unfortunately unable to physically reach the residency due to severe bureaucratic restrictions and delays in obtaining an entry visa.<\/p>\n

The Street Project Foundation<\/strong>, founded in 2008<\/strong>, is a Nigerian non-profit organisation and social enterprise that uses creative and performing arts as tools for social mobilisation, youth leadership development, and intercultural dialogue. Through flagship programmes such as the Creative Youth Boot Camp<\/strong> and the ARTvocacy<\/strong> movement, the foundation works to empower disadvantaged young people, women, and people with disabilities.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

Kino Guarimba is a continuously evolving project in which every edition teaches us something new. It is a process of trial and error, and our goal is to develop the programme so that each edition is better than the last. We also want to understand the impact the project has on its participants and on the local community of Amantea.<\/p>\n

To this end, we collect both qualitative and quantitative data through surveys, forms, and observation. For the international artists, we evaluate the educational impact of the residency. For the people and community of Amantea, we observe the social, cultural, and economic impacts.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

EDUCATIONAL IMPACT ON PARTICIPANTS<\/strong><\/p>\n

The film residency structures its educational offering by integrating the principles of Non-Formal Education<\/strong>, Cooperative Learning<\/strong>, and the Montessori Method<\/strong>. The twelve days dedicated to conceiving, shooting, and editing films form an intensive and immersive learning experience. These pedagogical approaches are chosen for their ability to encourage mutual cooperation, promote the sharing of resources and spaces, and grant participants full independence and self-determination throughout the creative process.<\/p>\n

During the selection process, the goal is to assemble a group with diverse professional profiles, including directors, directors of photography, sound designers, and editors. Each participant is driven by different motivations: some want to try a new role or practise a new skill, while others seek to deepen an existing craft. Selected candidates are at different stages of their personal and professional journeys \u2014 from young beginners at the start of their academic or working life, to professionals looking to reinvigorate their creativity, to those seeking a break from the standardised rhythms of daily working life. In Amantea, residents find the space and time to explore and redefine their artistic identity.<\/p>\n

To encourage immediate connection among filmmakers before production begins, structured socialising events are organised. From the welcome dinner to shared accommodation, every dynamic is designed to facilitate the formation of interpersonal bonds. Even when faced with diverging artistic or personal viewpoints, participants are consistently encouraged to listen actively, remain open to others, and seek common ground.<\/p>\n

The philosophy of the residency shifts the focus from the final product to the creative process itself. The primary aim is to encourage participants to seize this opportunity to take risks, take on different roles, and allow their expressive potential to emerge freely. In this spirit, mistakes and missteps are reframed as fundamental steps in growth: filmmakers are encouraged not to fear failure, but to see it as a valuable tool for analysis, self-awareness, and professional development.<\/p>\n

The final survey reveals four recurring learning themes: overcoming fear and self-doubt<\/strong> (10 mentions), collaboration and community-building<\/strong> (7 mentions), acquiring new technical skills<\/strong> in previously untried roles (6 mentions), and intercultural communication<\/strong> (5 mentions). 59%<\/strong> of respondents reported having worked in a role they had never taken on before.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

SOCIAL AND CULTURAL IMPACT ON THE COMMUNITY<\/strong><\/p>\n

Nestled on the Tyrrhenian coast of Calabria, in southern Italy, Amantea<\/strong> is a local community of approximately 14,000 residents<\/strong>. In June, the community opened its doors to forty-seven filmmakers and film professionals arriving for Kino Guarimba, with an explicit invitation to discover the territory and its people. The core objective of the residency is to encourage participants to integrate deeply with the population, the landscapes, and the narrative heritage of Amantea, transforming streets, squares, beaches, and the corners of the old town into open-air film sets. It is essential that filmmakers embrace the town as an active partner in their work, rather than retreating into an isolated or self-referential bubble.<\/p>\n

This collaborative engagement of residents in the making of the short films generates a dual value: on the one hand, it enriches the filmmakers’ experience; on the other, it empowers the whole community. The skills developed in coordinating a production crew, overcoming language barriers by communicating in Italian with non-professional actors, and building meaningful human relationships are a formative legacy that participants will carry with them for life.<\/p>\n

During the festival days, Amantea undergoes a form of spontaneous urban regeneration<\/strong>. Through the filmmakers’ gaze, the beauty of the town is rediscovered and celebrated; even neglected or abandoned spaces come back to life as cinematic backdrops, offering residents themselves the chance to see their territory from a new perspective.<\/p>\n

Kino Guarimba thus acts as a bridge between the local community, its roots, and the language of cinema. This exchange strengthens the sense of identity and local pride, nourished by the awareness that artists from every corner of the globe have chosen Amantea to bring their works to life.<\/p>\n

The arrival of filmmakers from around the world contributes to increasing Amantea’s social and cultural capital<\/strong>, promoting cultural and artistic diversity. During the 12 days<\/strong> of the residency, local residents share their town with the filmmakers: many step in front of the camera as actors, while many shopkeepers and artisans open their businesses as shooting locations.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=”5746″ img_size=”full” alignment=”center” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

ECONOMIC IMPACT ON THE TERRITORY<\/strong><\/p>\n

The budget for the thirteenth edition of Kino Guarimba was \u20ac13,784<\/strong>. Of this, we invested \u20ac6,200<\/strong> in renting apartments for the participants, \u20ac1,266.50<\/strong> in catering \u2014 covering organised lunches, dinners, and breakfasts for the group \u2014 and \u20ac5,702.43<\/strong> in fees for project collaborators. An additional \u20ac500<\/strong> went to publicity and printing, and \u20ac115<\/strong> to event materials.<\/p>\n

This year we hosted 50 filmmakers<\/strong> across 16 apartments<\/strong> provided by local property owners in Amantea, for a total of 12 nights<\/strong>. Collaborators came from Estonia, Spain, Venezuela, and France, alongside Calabrian professionals from Amantea and Rossano. The project also welcomed three interns from the University of Calabria (UNICAL)<\/strong>, the Universit\u00e9 de Lille<\/strong>, and the Instituto Manolo Banik<\/strong>.<\/p>\n

We also analysed the residency’s indirect economic impact, which is equally significant. The participants’ presence had an even greater effect given that June is a quiet month for tourism compared to August \u2014 a transitional period leading into the peak summer season, which the Kino helps to animate in a meaningful way. At the Lido Azzurro<\/strong> bar and restaurant, there was always a group of participants discussing their films, working, having a meal, or simply enjoying the view. Pizzeria Canossa<\/strong> was once again a firm favourite, while Cantina Amarcord<\/strong> \u2014 host of the Welcome Lunch for all 60 participants \u2014 remained a social hub for drinks and conversation.<\/p>\n

Using data collected through the survey, we were able to estimate the average spending of participants in Amantea over the twelve days of the Kino. This includes food, drinks, souvenirs, and purchases made for their films, such as props. The data reveals an average spend of \u20ac600 per participant<\/strong>, for an estimated total of \u20ac30,000<\/strong> generated for local businesses in Amantea.<\/p>\n

Added to this is the direct impact of the organisational budget: given that almost all spending on accommodation, catering, local collaborators, and materials was kept on the territory, the total direct and indirect economic impact of the thirteenth edition exceeds \u20ac43,000<\/strong>.<\/p>\n

These figures represent just one of the ways in which the Kino has a positive impact on Amantea and its businesses. The residency also has lasting effects on the image of the town and the region, attracting sustainable international tourism without compromising the authenticity of the Calabrian experience. 78% of participants<\/strong> publicly shared their experience on social media or blogs, generating organic visibility for Amantea and Calabria around the world.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

CREDITS<\/span><\/strong><\/p>\n

GIULIO VITA<\/strong> \u2013 Project Director
\nLILIBETH BOL\u00cdVAR<\/strong> \u2013 Production
\nOSCAR PE\u00d1A GONZ\u00c1LEZ<\/strong> \u2013 Residency Tutor
\nANNA-MARIA JAMS<\/strong> \u2013 Sound Tutor
\nFORTUNATO VALENTE<\/strong> \u2013 Filmmaker and Editing Tutor
\nANTONIO REDA<\/strong> \u2013 Photographer
\nPEDRO GUERRA<\/strong> \u2013 Intern
\nELENA ZANGARO<\/strong> \u2013 Intern
\nJULIETTE REGENT<\/strong> \u2013 Intern<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][vc_column_text css=””]\n

ORGANISED BY<\/strong><\/p>\n[\/vc_column_text][vc_single_image image=”4060″ img_size=”full” alignment=”center” css=””][\/vc_column][vc_column width=”1\/3″][vc_column_text css=””]\n

IN COLLABORATION WITH<\/strong><\/p>\n[\/vc_column_text][vc_single_image image=”4597″ img_size=”full” alignment=”center” css=””][\/vc_column][vc_column width=”1\/3″][vc_column_text css=””]\n

WITH THE SUPPORT OF<\/strong><\/p>\n[\/vc_column_text][vc_single_image image=”5768″ img_size=”full” alignment=”center” onclick=”custom_link” css=”” link=”https:\/\/patriadellabellezza.it\/”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

Kino Guarimba is part of Territorio Guarimba<\/strong>, a permanent cultural hub operating year-round in Amantea with an open-air arena, an active library, and artistic production spaces. The project is among the three national winners of the 2026 grant from Fondazione Italia Patria della Bellezza<\/strong>, selected from over 270 applications<\/strong> for the strong cultural and social impact it generates in the territory.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

CLICK HERE TO WATCH ALL THE FILMS PRODUCED<\/strong><\/a><\/span>
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[vc_row][vc_column][vc_column_text css=””] From June 10 to 21, 2026, La Guarimba hosted the thirteenth edition of Kino Guarimba, a film training programme dedicated to filmmakers from around the world. The filmmakers arrived in Amantea, Calabria, to embark on this journey of artistic collaboration and cultural exchange. 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Over the years,\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/cinemambulante.com\/wp-content\/uploads\/2024\/06\/Header-Kino-Guarimba_Valeria_Reduced.jpeg?fit=1200%2C444&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/cinemambulante.com\/wp-content\/uploads\/2024\/06\/Header-Kino-Guarimba_Valeria_Reduced.jpeg?fit=1200%2C444&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/cinemambulante.com\/wp-content\/uploads\/2024\/06\/Header-Kino-Guarimba_Valeria_Reduced.jpeg?fit=1200%2C444&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/cinemambulante.com\/wp-content\/uploads\/2024\/06\/Header-Kino-Guarimba_Valeria_Reduced.jpeg?fit=1200%2C444&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/cinemambulante.com\/wp-content\/uploads\/2024\/06\/Header-Kino-Guarimba_Valeria_Reduced.jpeg?fit=1200%2C444&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":5206,"url":"https:\/\/cinemambulante.com\/en\/2025editionjune\/","url_meta":{"origin":5716,"position":1},"title":"Kino Guarimba 2025 – June","author":"cinemambulante","date":"June 20, 2025","format":false,"excerpt":"[vc_row][vc_column][vc_column_text css=\"\"]From 10 to 21 June 2025, La Guarimba hosted its eleventh edition of Kino Guarimba, a film training program for filmmakers from all around the world. Filmmakers arrived in Amantea, Calabria, to begin this journey of artistic collaboration and exchange. This year\u2019s Kino was made possible through the partnership\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/cinemambulante.com\/wp-content\/uploads\/2025\/06\/header-kino-guarimba-june-2025.jpg?fit=1200%2C444&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/cinemambulante.com\/wp-content\/uploads\/2025\/06\/header-kino-guarimba-june-2025.jpg?fit=1200%2C444&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/cinemambulante.com\/wp-content\/uploads\/2025\/06\/header-kino-guarimba-june-2025.jpg?fit=1200%2C444&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/cinemambulante.com\/wp-content\/uploads\/2025\/06\/header-kino-guarimba-june-2025.jpg?fit=1200%2C444&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/cinemambulante.com\/wp-content\/uploads\/2025\/06\/header-kino-guarimba-june-2025.jpg?fit=1200%2C444&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":5364,"url":"https:\/\/cinemambulante.com\/en\/2025editionseptember\/","url_meta":{"origin":5716,"position":2},"title":"Kino Guarimba 2025 – September","author":"cinemambulante","date":"September 16, 2025","format":false,"excerpt":"[vc_row][vc_column][vc_column_text css=\"\"] From 10 to 21 September 2025, La Guarimba hosted its twelfth edition of Kino Guarimba, a film training program for filmmakers from all around the world. Filmmakers arrived in Amantea, Calabria, to begin this journey of artistic collaboration and exchange. This year\u2019s Kino was made possible through the\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/cinemambulante.com\/wp-content\/uploads\/2025\/09\/header-kino-guarimba-september-2025.jpg?fit=1200%2C444&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/cinemambulante.com\/wp-content\/uploads\/2025\/09\/header-kino-guarimba-september-2025.jpg?fit=1200%2C444&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/cinemambulante.com\/wp-content\/uploads\/2025\/09\/header-kino-guarimba-september-2025.jpg?fit=1200%2C444&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/cinemambulante.com\/wp-content\/uploads\/2025\/09\/header-kino-guarimba-september-2025.jpg?fit=1200%2C444&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/cinemambulante.com\/wp-content\/uploads\/2025\/09\/header-kino-guarimba-september-2025.jpg?fit=1200%2C444&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":194,"url":"https:\/\/cinemambulante.com\/en\/","url_meta":{"origin":5716,"position":3},"title":"CinemAmbulante – Kino Guarimba","author":"cinemambulante","date":"May 4, 2017","format":false,"excerpt":"[vc_row][vc_column][vc_column_text css=\"\"] Kino Guarimba is a Montessori film training experience that hosts audiovisual professionals in Amantea (Southern Italy) to conceive, shoot and edit short films that will then be screened in the town. Every year, we organize two editions of the residency: from the 10th to the 21st of June\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/cinemambulante.com\/wp-content\/uploads\/2023\/11\/Header_KinoGuarimba_.jpg?fit=1200%2C444&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/cinemambulante.com\/wp-content\/uploads\/2023\/11\/Header_KinoGuarimba_.jpg?fit=1200%2C444&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/cinemambulante.com\/wp-content\/uploads\/2023\/11\/Header_KinoGuarimba_.jpg?fit=1200%2C444&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/cinemambulante.com\/wp-content\/uploads\/2023\/11\/Header_KinoGuarimba_.jpg?fit=1200%2C444&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/cinemambulante.com\/wp-content\/uploads\/2023\/11\/Header_KinoGuarimba_.jpg?fit=1200%2C444&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":190,"url":"https:\/\/cinemambulante.com\/en\/kino\/","url_meta":{"origin":5716,"position":4},"title":"Kino Guarimba Film Residency","author":"cinemambulante","date":"August 28, 2017","format":false,"excerpt":"[vc_row][vc_column][vc_video link=\"https:\/\/www.youtube.com\/watch?v=fiISRucaguM\" css=\"\"][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=\"\"] An international film training program in the form of a 12 days artistic residency in Calabria, the wildest region of southern Italy, where a group of international creatives who don\u2019t know each other get together to write, shoot, edit, and screen short films. The goal of\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3256,"url":"https:\/\/cinemambulante.com\/en\/kinoguarimba2022-ukraine\/","url_meta":{"origin":5716,"position":5},"title":"Kino Guarimba 2022 – The Ukrainian Edition","author":"cinemambulante","date":"September 21, 2022","format":false,"excerpt":"[vc_row][vc_column][vc_column_text] The sixth edition of Kino Guarimba took place in Amantea (CS) from 10 to 21 September 2022. It involved 50 filmmakers, technicians and actors from 20 different countries, who met in Calabria and conceived, produced, shot and edited 31 short films in 12 days. This was a special edition:\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/cinemambulante.com\/wp-content\/uploads\/2022\/04\/header_kino_ita-scaled.jpg?fit=1200%2C444&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/cinemambulante.com\/wp-content\/uploads\/2022\/04\/header_kino_ita-scaled.jpg?fit=1200%2C444&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/cinemambulante.com\/wp-content\/uploads\/2022\/04\/header_kino_ita-scaled.jpg?fit=1200%2C444&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/cinemambulante.com\/wp-content\/uploads\/2022\/04\/header_kino_ita-scaled.jpg?fit=1200%2C444&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/cinemambulante.com\/wp-content\/uploads\/2022\/04\/header_kino_ita-scaled.jpg?fit=1200%2C444&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/cinemambulante.com\/en\/wp-json\/wp\/v2\/pages\/5716","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinemambulante.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cinemambulante.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cinemambulante.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cinemambulante.com\/en\/wp-json\/wp\/v2\/comments?post=5716"}],"version-history":[{"count":3,"href":"https:\/\/cinemambulante.com\/en\/wp-json\/wp\/v2\/pages\/5716\/revisions"}],"predecessor-version":[{"id":5778,"href":"https:\/\/cinemambulante.com\/en\/wp-json\/wp\/v2\/pages\/5716\/revisions\/5778"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cinemambulante.com\/en\/wp-json\/wp\/v2\/media\/5215"}],"wp:attachment":[{"href":"https:\/\/cinemambulante.com\/en\/wp-json\/wp\/v2\/media?parent=5716"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}