{"id":5206,"date":"2025-06-20T07:50:20","date_gmt":"2025-06-20T07:50:20","guid":{"rendered":"https:\/\/cinemambulante.com\/?page_id=5206"},"modified":"2025-09-16T10:47:41","modified_gmt":"2025-09-16T10:47:41","slug":"2025editionjune","status":"publish","type":"page","link":"https:\/\/cinemambulante.com\/en\/2025editionjune\/","title":{"rendered":"Kino Guarimba 2025 – June"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text css=””]From 10 to 21 June 2025, La Guarimba<\/strong> hosted its eleventh edition of Kino Guarimba<\/strong>, a film training program for filmmakers from all around the world. Filmmakers arrived in Amantea, Calabria, to begin this journey of artistic collaboration and exchange. This year\u2019s Kino was made possible through the partnership with CinemAmbulante<\/strong>, Caribe At\u00f3mico Film Festival<\/strong> (Venezuela), Khoros Film Festival<\/strong> (Gambia), Proim\u00e1genes Colombia<\/strong> and MyAirBridge<\/strong>.\u00a0<\/span><\/p>\n

On June 10th, 48 filmmakers<\/strong> arrived from 5 continents<\/strong> and 23 different countries<\/strong> to participate in a 12 day film residency<\/strong> to conceive, shoot and edit their short films. At the end of Kino Guarimba, the 48<\/strong> filmmakers presented 30<\/strong> films that were conceived, shot and edited during the residency.\u00a0<\/span><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_video link=”https:\/\/youtu.be\/dHOGZz7DdPk” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

The Program<\/strong><\/span><\/p>\n

Kino Guarimba offers professional training workshops, exposure to cultural events, and encourages collaboration between the filmmakers as well as the locals of Amantea.\u00a0<\/span><\/p>\n

The first days of the Kino are organised to facilitate connection amongst the participants and to familiarise them with the town of Amantea and its rich history and culture.\u00a0<\/span><\/p>\n

On the first day of Kino, the participants arrived all throughout the day and were given the new edition of the Kino Tote bag: Eat the Rich. In it, were typical Calabrian products from our sponsors including Amarelli<\/strong> liquorice, stuffed figs from Fichi Marano and artisanal pistachio cream from Bar Sicoli<\/strong>. Moleskine Foundation<\/strong> also supported the residency through gifting us notebooks for each participant to use during the residency. On each notebook, we placed a Kino Guarimba<\/strong> sticker.\u00a0<\/span><\/p>\n

After they were taken to one of the fifteen apartments we rented for the residents, they had the opportunity to explore the town and explore the beach during the day and at 20:30 the Meet & Greet Dinner began in Il Terrenito<\/strong>. Here all the participants had the chance to mingle and officially meet their fellow filmmakers. The dinner was kindly provided by Giancarlo Suriano, a caterer who sources his ingredients locally in Calabria. The dinner was paired with red wine made from the grapes of Nonna Saveria<\/strong>.\u00a0<\/span><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”5238″ img_size=”full” css=””][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”5240″ img_size=”full” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

Day two of the Kino began with breakfast at Lido Azzurro<\/strong>, followed by a speed dating exercise among the participants. In the two rounds of the speed dating, the young professionals had one minute to talk to each other. This was an exercise in honing their pitching skills and a chance to explore ideas with one another. The day continued with lunch at Cantina Amarcord 1985<\/strong> to taste traditional Calabrian cuisine and wines, and to facilitate conversation and connection with one another. <\/span><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”5242″ img_size=”full” css=””][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”5244″ img_size=”full” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]In the evening, director Giulio Vita<\/strong> took the participants on a tour of Amantea, through the historical city center and to the ancient ruins at the mountain top. This gave the participants the opportunity to scout locations for their films.\u00a0<\/span><\/p>\n

After this small hike in the Calabrian afternoon sun, the tour ended at Bar Sicoli for their famous pistachio gelato.<\/span><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”5246″ img_size=”full” css=””][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”5248″ img_size=”full” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

Day four began and ended with masterclasses taught by industry professionals and our residency tutors. All four masterclasses were attended by all 48 filmmakers<\/strong>. The first two were taught at Lido Azzurro<\/strong>, and the second two in the conference room of La Piccola Biblioteca di Amantea<\/strong>, opened in August 2024.\u00a0<\/span><\/p>\n

It began with \u2018How to Organize a Kino Production’<\/strong>\u00a0by residency tutor Oscar Pe\u00f1a Gonz\u00e1lez<\/strong>, Spanish cinematographer with onset experience in Spain Italy and Latin America<\/strong>. Here, Oscar explained how to best organise a small production team and tips on managing actors, locations and production plans.\u00a0<\/span><\/p>\n

This was followed by \u2018Live Sound Recording\u2019<\/strong> by Estonian Foley<\/strong> artist Anna-Maria Jams<\/strong>. Not only did she share her expertise on sound recording, but as an Kino alumni she brought a unique perspective to her masterclass, having been in the same position as the participants just nine months before. Anna-Maria gave an overview on how to properly use the sound equipment, record ambient sounds and dialogue to create a successful soundscape for a film.\u00a0<\/span><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=”5254″ img_size=”full” alignment=”center” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

In the afternoon, director and editor Fortunato Valente<\/strong> gave a masterclass on \u201cThe Basics of Editing\u201d<\/strong> to teach curious filmmakers more about editing. This gave new editors the confidence to practice this new skill and experiment further with the elements of post-production.<\/span><\/p>\n

Anna-Maria Jams<\/strong> gave a second masterclass on \u201cPost Productions of Sound\u201d<\/strong>. First she gave a brief overview of the sound equipment and tips on naming sound files to stay organised throughout production. Then she outlined how to edit dialogue, incorporate Atmos or background noise, music and Foley in the post-production of sound.<\/span><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”5252″ img_size=”full” css=””][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”5256″ img_size=”full” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

To break up the information density of the masterclasses, there was also a popular casting call where aspiring local actors, aged 2 to 71, had the opportunity to introduce themselves and present a skill in front of the directors. Some actors recited monologues while others showcased their musical talents. The importance of the popular casting is twofold: it opens the door to working on a film set and meeting international filmmakers, and for the filmmakers, it gives them another opportunity to deepen their connections with the people of Amantea and its culture.\u00a0<\/span><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”5258″ img_size=”full” css=””][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”5260″ img_size=”full” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

The 13th of June was the last day of scheduled Kino activities before the residents began filming. Everyone met at La Piccola Biblioteca di Amantea<\/strong> for coffee provided by Caff\u00e8 Guglielmo<\/strong> and cornettos from Bar Caruso before pitching their film ideas.\u00a0<\/span><\/p>\n

Each filmmaker gave a brief synopsis of their film, its genre, their role, the roles they still need filled and how many days of shooting would be required. Here 37 of the 48 filmmakers<\/strong> pitched their own ideas or ideas they collaborated on with others, with a total of 39 pitched ideas<\/strong>.\u00a0<\/span><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”5262″ img_size=”full” css=””][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”5264″ img_size=”full” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

In the early evening, Amantea celebrated the festival of St Antonio da Padova<\/strong> with a mass and a procession through the whole of Amantea. The participants were invited to participate in the procession to get a taste of Italian religious traditions, as well as have the opportunity to record impactful video footage and record sound. The procession ended in the historic city center with an open air festival with small rides, food trucks and a main stage for music performances.\u00a0<\/span><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column css=”.vc_custom_1750542289441{margin-bottom: 35px !important;}”][vc_single_image image=”5302″ img_size=”full” alignment=”center” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]THE FILMING PROCESS<\/strong><\/span><\/p>\n

From the 13th of June to the 20th, the young professionals began shooting their projects. Following the philosophy of the Kino method, we did not interfere with this process, encouraging them to form teams themselves for their projects, and letting collaborations arise organically and spontaneously.<\/span><\/p>\n

Kino Guarimba provided basic sound recording equipment, lights, reflectors and tripods to be shared amongst all <\/span>49<\/span> participants. Oscar and Anna-Maria provided additional guidance to the filmmakers about the equipment they would need for each shoot and how to best use it for the scenes they had in mind.\u00a0<\/span><\/p>\n

The filmmakers shot their films all throughout Amantea. In the historic center, at the tower ruins, the beach and in their homes for indoor scenes.\u00a0<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_gallery type=”flexslider_slide” interval=”3″ images=”5284,5268,5272,5282,5278″ img_size=”full” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

THE FINAL SCREENING<\/strong><\/span><\/p>\n

After 12 days<\/strong> of collaboration, shooting their films, and editing, Kino Guarimba<\/strong> ended with a screening of all 30 films<\/strong> that were submitted. Prior to the screening, a masterclass on \u201cFilm Distribution\u201d was taught by Giulio Vita<\/strong> and in collaboration with Caribe At\u00f3mico Film Festival<\/strong> in Venezuela<\/strong>.<\/p>\n

In addition, participant Lu Fraga<\/strong> introduced the CineMarea<\/strong>, the film residency she helps organise in Uruguay<\/strong>. This is the first film residency in Latin America<\/strong> that began in 2023 and takes place from mid-November to mid-December each year. This is a free residency open to\u00a0 25 filmmakers from Latin America<\/strong> and the rest of the world. CineMarea<\/strong> prioritises one theme each week of the residency: production, training, screenings and networking.<\/p>\n

We also had the honor of hosting Ezenwa Okoro<\/strong> thanks to the Moleskine Foundation<\/strong> and Creativity Pioneers<\/strong>. Ezenwa was here representing his organization Street Project Foundation<\/strong> in Nigeria, which is an organisation that creates a safe space for at risk-youth and provides a creative outlet through music, dance, drama and film. During a brief talk he gave to the participants, he urged them to use film as a tool to ask critical questions about the state of our world, from community, politics, mental health and to climate change. Film can be a tool for social justice advocacy.<\/p>\n

This follows the ideology that La Guarimba<\/strong> promotes, to be part of the conversation, to encourage dialogue (even with those you may not agree with) as a way to learn and understand others. Film and art are fantastic tools to question and analyse the power structures and systems within which we live.<\/p>\n

The films were screened in Il Terrenito<\/strong> in Amantea on 21 June, where all the participants, actors and locals were invited to come watch.<\/p>\n

The final screening was attended by 150 people<\/strong>.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”5290″ img_size=”full” css=””][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”5336″ img_size=”full” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

THE PARTICIPANTS<\/strong><\/span><\/p>\n

Forty-eight participants<\/strong> came from all over the world, forming a diverse group of filmmakers. From five continents<\/strong>, all different ages and backgrounds, each participant brings a unique perspective to the whole group, united by their desire to share their knowledge, collaborate and create together. <\/span><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=”5266″ img_size=”full” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

In order to have a wider reach for our film festival, we carried out promotional work through multiple channels. We successfully requested for Kino Guarimba to be promoted in their newsletters to students. In addition, we were guests at Baltic Women<\/span>\u00a0in Film Mentorship<\/strong> to present the residency to their participants.<\/span>. At festival markets such as Clermont-Ferrand<\/strong>, and Winterthur<\/strong> we organised appointments with representatives of film institutes around the world to discuss our project and our mission. Lastly, social media was an important tool for promoting Kino Guarimba in collaboration with our partners.\u00a0<\/span><\/p>\n

In the end we had 48 filmmakers from 23 different countries<\/strong>: Argentina, Belgium, Brazil, Canada, China, Colombia, Finland, France, the Gambia, Germany, Guatemala, Ireland, Israel, Italy, the Netherlands, Portugal, Romania, South Korea, Spain, the UK, Ukraine, Uruguay, the USA and Venezuela. <\/span><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=”5324″ img_size=”full” alignment=”center” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

This year we hosted our first artist from the Gambia, thanks to the scholarship program we created in partnership with Khoros Film Festival<\/strong>. In addition, we hosted two Colombians made possible by our partnership with Proim\u00e1genes Colombia<\/strong>.\u00a0<\/span><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=”5294″ img_size=”full” alignment=”center” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]This year we had an overwhelming majority of women filmmakers, at 70%<\/strong> to 30%<\/strong> men.\u00a0<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=”5296″ img_size=”full” alignment=”center” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

The average age<\/strong> of the participants was 28 years<\/strong>, with a median of 25 years. The most represented age range was 18-24<\/strong> years old with 19 people, 15 people between the ages of 25-30, 5 people at 30-35 and 7 people above 35 years old. In terms of age, this has been one of our most diverse groups so far.\u00a0<\/span><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=”5322″ img_size=”full” alignment=”center” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

During the selection process, we also consider the candidates profiles and roles. From young students, just beginning their career, to professional filmmakers, each person was chosen for the knowledge they could bring to the group. This Kino provides the opportunity for new filmmakers to make their first steps within the industry, and acts as a respite for those already working in the industry, allowing them to experience a community where they can immerse themselves in the creative process. <\/span><\/p>\n

Filmmakers make up a significant percentage of the participants, but the residency’s training activities allowed everyone to experience different roles. From a survey sent to the participants, about 56%<\/strong> of them said that the worked in a role they had not worked in previously.<\/strong><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=”5320″ img_size=”full” alignment=”center” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

THE SCHOLARSHIPS<\/strong><\/span><\/p>\n

The Gambia\u2019s Khoros Film Festival<\/strong> premiered the first edition of the film festival in 2023. The aim of Khoros is to empower the filmmakers of the Gambia, by creating cultural and artistic exposure with the film festival held every November and to provide acting, cinematography, production and screenwriting workshops for local filmmakers and storytellers. This year, Kino Guarimba is proud to announce its partnership with Khoros Film Festival<\/strong> through a full scholarship program that will be provided each year. Khoro\u2019s technical coordinator, Sinou Gomez<\/strong>, is the first Gambian to attend Kino Guarimba<\/strong>, and it is also his first time in Italy. This collaboration is opening the doors to an exciting new chapter for our residency program to collaborate with Gambian artists and the opportunity for meaningful cultural exchange.\u00a0<\/span><\/p>\n

Proim\u00e1genes Colombia<\/strong> is the film fund of Colombia, a non-profit educational and cultural organisation aimed at promoting and preserving Colombia\u2019s rich history of moving images. Kino Guarimba<\/strong> is one of many film residencies around the world where Proim\u00e1genes Colombi<\/strong>a has partnered with to provide full reimbursement of residency and travel costs to Colombian filmmakers. This year we have two fantastic Colombian filmmakers attending the Kino, one of which has a film that was selected for La Guarimba International Film Festival<\/strong> this August.\u00a0<\/span><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_gallery interval=”3″ images=”5274,5276,5270″ img_size=”full” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]Kino Guarimba is a living project in which each edition we learn something new. It is a process of trial and error, and we aim to develop the program so that each edition is better than the last. We also aim to understand the impact of the project on the participants and the local community of Amantea.\u00a0<\/span><\/p>\n

For this reason we collect both qualitative and quantitative data through questionnaires, forms and observation. For the international artists, we look at the educational impact of the residency. For the people and community of Amantea, we look at the social, cultural and economic impacts.\u00a0<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=”5280″ img_size=”full” alignment=”center” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]THE EDUCATIONAL IMPACT ON THE PARTICIPANTS<\/strong><\/span><\/p>\n

This film residency follows the pedagogical methods as laid out by Non-Formal Education, Cooperative Learning<\/strong> and the Montessori School<\/strong>. These twelve days of conceiving, shooting and editing films are a compact and intensive learning journey. Therefore these teaching methods are used as they encourage collaboration<\/strong>, sharing<\/strong> resources and spaces, and it gives them freedom and agency<\/strong> over the creative process<\/strong>.\u00a0<\/span><\/p>\n

In the selection process, we aim to choose applicants with diverse artistic profiles<\/strong>, from directors, cinematographers, foley artists to editors. Each applicant has a different motivation for applying. Some want to try their hand at a new role, or practice a new skill, and Kino Guarimba provides the perfect opportunity for this creative experimentation. We choose applicants that are all in different points of their lives and their careers. Some are just beginning their studies or starting their career in film, some are seeking to reinvigorate their creative side, and others are looking for a respite from the demanding routine of a nine-to-five job. In Amantea, the participants have the chance to explore and reflect on their creative sides.<\/span><\/p>\n

Before the filmmakers begin with their creative collaboration, we organise events for them to meet and socialise. From the Meet and Greet dinner, to their shared housing, this is key for making connections and establishing bonds<\/strong> with one another. Although some may have varying, and sometimes opposing, points of view we encourage the participants to open a dialogue and try to understand one another.\u00a0<\/span><\/p>\n

The focus of this film residency is on the process rather than the outcome. The goal is for the participants to take advantage of this opportunity to experiment, try out different roles and to allow their creativity to emerge. Making mistakes and learning from them is integral to this process, and we encourage the participants not to look at failure as a negative, but as an opportunity for learning and reflection.\u00a0<\/span><\/p>\n

THE SOCIAL AND CULTURAL IMPACT ON THE COMMUNITY<\/strong><\/span><\/p>\n

Amantea is a small town of 14,000 people on the Tyrrhenian coast of Calabria in Southern Italy<\/strong>. This June <\/span>forty-eight<\/span>\u00a0filmmakers arrived in our little town for Kino Guarimba, where we encouraged them to explore the town and its people. We want the film residents to engage with the locals, the places and stories Amantea has to offer, transforming the streets, squares, historic center and beaches into large open-air sets<\/strong>. It is important that they accept Amantea as their host, and do not form an isolated bubble in which to operate. By directly involving Amanteans in the making of their short films, they are not only empowering themselves as filmmakers, but they are helping to empower the community<\/strong>. The skills they hone in order to organise a production team, communicate with their local actors in Italian and create bonds with them, is something that the filmmakers will carry with them forever.\u00a0<\/span><\/p>\n

Throughout the Kino, Amantea undergoes the process of urban revitalization<\/strong>. The filmmakers explore the town and see beauty in it, transforming even abandoned and degraded locations into the backdrop of their films, inviting Amanteans to view their home in a different light. These places become active protagonists in their narratives and give new meaning to these locations.\u00a0<\/span><\/p>\n

Kino Guarimba helps to re-establish a connection between locals, culture and art through film. This creates a sense of belonging and pride<\/strong> in the community as people from all around the world come to Amantea for the experience of making a short film. This process allows the people of Amantea to see their town and their stories presented on the big screen.\u00a0<\/span><\/p>\n

The arrival of filmmakers from around the world allows for increased social and cultural capital of Amantea through the promotion of cultural and artistic diversity. During the 12 day residency, Amanteans share their home with the filmmakers; some of them actors while some open their businesses for filming.<\/span><\/p>\n

American director Ayana Francois invited young Venezuelan-Italian singer\/rapper Vincenzo to record an original song for her film Passport.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”5316″ img_size=”full” css=””][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”5328″ img_size=”full” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

THE ECONOMIC IMPACT ON THE TERRITORY<\/strong><\/span><\/p>\n

The budget for the eleventh edition of Kino Guarimba was<\/span> \u20ac15,000<\/strong>. From this, we invested a portion into purchasing locally produced products, the dinner and lunches organised for the participants, the rental of the apartments for 60 people for 12 nights, compensation for the Calabrian project collaborators from Reggio Calabria, Amantea and Vibo Valentia, as well as the meals for the team, materials used for the execution of events and general office expenses.\u00a0<\/span><\/p>\n

We have also analysed the indirect financial impact of the residency, which is equally important. At the end of the residency we sent a survey to the participants for feedback on their experience during the Kino. The impact of their presence is felt even moreso, as June, in terms of tourism, is a quiet month in comparison to August for example. It is a useful transitional period into peak summer tourism. At beach bar and restaurant Lido Azzurro, there was always a group of participants, discussing their films and working, eating a meal or simply enjoying the view. Pizzeria Canossa was a favourite of the group and Cantina Amarcord was often filled with the filmmakers socialising and having a drink.\u00a0<\/span><\/p>\n

With the information we gathered through the survey, we were able to estimate the average spending in Amantea of the participants during the twelve day Kino. This data includes food, drinks, souvenirs and purchases made for their films such as props. This data gave us an indication of the average expenditure of each participant at <\/span>\u20ac600 <\/strong>each, making a total of \u20ac28,800<\/strong> to Amantean businesses.\u00a0<\/span><\/p>\n

This data demonstrates just one way in which the Kino positively impacts Amantea and its businesses. It also has positive effects on the image of Amantea and the region, it attracts sustainable tourism without compromising authentic storytelling and experience in Calabria. It foregrounds Calabria\u2019s rich culture and history and all it has to offer. <\/span><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=”5330″ img_size=”full” alignment=”center” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

CREDITS<\/strong><\/span><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

GIULIO VITA<\/strong> \u2013 Project Director<\/p>\n

LILIBETH BOL\u00cdVAR<\/b> \u2013 Production Coordinator<\/p>\n

OSCAR<\/strong> PE\u00d1A<\/strong> GONZ\u00c1LEZ<\/strong> \u2013 Residency Tutor<\/p>\n

ANNA MARIA JAMS<\/strong> \u2013 Sound Tutor<\/p>\n

FORTUNATO<\/strong> VALENTE<\/strong> \u2013 Videomaker and Editing Tutor<\/p>\n

TERESA CONDORELLI<\/strong> \u2013 Production Assistant<\/p>\n

ANTONIO REDA<\/strong>\u00a0– Photographer<\/p>\n

FEDERICA DI CARLO<\/strong> – Assistant Photographer<\/p>\n

MARGHERITA TASSONE<\/strong>– Intern<\/p>\n

VALERIA<\/strong> WEERASINGHE<\/strong> \u2013 Brand Identity<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

ORGANIZED BY<\/strong><\/p>\n

\"\"<\/a><\/strong><\/p>\n

\"\"<\/a><\/strong><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

CLICK HERE TO WATCH ALL THE FILMS PRODUCED<\/span><\/a><\/p>\n

password: kino2025<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\n[\/vc_column_text][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text css=””]From 10 to 21 June 2025, La Guarimba hosted its eleventh edition of Kino Guarimba, a film training program for filmmakers from all around the world. Filmmakers arrived in Amantea, Calabria, to begin this journey of artistic collaboration and exchange. This year\u2019s Kino was made possible through the partnership with CinemAmbulante, Caribe At\u00f3mico Film […]<\/p>\n","protected":false},"author":1,"featured_media":5215,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-full-width.php","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-5206","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nKino Guarimba Film Residency - Edition 2025 - June<\/title>\n<meta name=\"description\" content=\"Kino Guarimba is a multicultural film residency in Calabria that gathers 50 artists from all over the world to shoot films in a small town.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinemambulante.com\/en\/2025editionjune\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kino Guarimba Film Residency - 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